Jazz Piano
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Jazz piano is a collective term for the techniques pianists use when playing
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ...
. The
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keybo ...
has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic and harmonic capabilities. For this reason it is an important tool of jazz musicians and composers for teaching and learning jazz theory and set arrangement, regardless of their main instrument. By extension the phrase 'jazz piano' can refer to similar techniques on any keyboard instrument. Along with the
guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected stri ...
,
vibraphone The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist ...
, and other keyboard instruments, the piano is one of the instruments in a jazz combo that can play both single notes and chords rather than only single notes as does the
saxophone The saxophone (often referred to colloquially as the sax) is a type of Single-reed instrument, single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed (mouthpi ...
or
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
.


Beginning

A new style known as “stride” or “Harlem stride” emerged during the 1920s, predominantly in New York.
James P. Johnson James Price Johnson (February 1, 1894 – November 17, 1955) was an American pianist and composer. A pioneer of stride piano, he was one of the most important pianists in the early era of recording, and like Jelly Roll Morton, one of the key ...
was a prominent adherent. The left hand was used to establish rhythm while the right hand improvised melodies.


Technique


Learning jazz piano

Mastering the various chord voicings—simple to advanced—is the first building block of learning jazz piano. Jazz piano technique uses all the chords found in Western art music, such as major, minor, augmented, diminished, seventh, diminished seventh, sixth, minor seventh, major seventh, suspended fourth, and so on. A second key skill is learning to play with a swing rhythm and "feel". In jazz, the roots are usually omitted from keyboard voicings, as this task is left to the
double bass The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar i ...
player. Jazz pianists also make extensive use of chord "extensions", such as adding the ninth, eleventh or thirteenth scale degree to the chord. In some cases, these extensions may be "altered" i.e. sharpened or flattened, as in the case of a "sharp 11" chord. The next step is learning to improvise melodic lines using scales and chord tones. This ability is perfected after long experience, including much practice, which internalizes the physical skills of playing and the technical elements of harmony, and it requires a great natural 'ear' for extemporaneous music-making. When jazz pianists
improvise Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...
, they use the scales, modes, and arpeggios associated with the chords in a tune's chord progression. The approach to improvising has changed since the earliest eras of jazz piano. During the Swing era, many soloists improvised "by ear" by embellishing the melody with ornaments and passing notes. However, during the bebop era, the rapid tempo and complicated chord progressions made it increasingly harder to play "by ear." Along with other improvisers, such as saxes and guitar players, bebop-era jazz pianists began to improvise over the chord changes using scales (whole tone scale, chromatic scale, etc.) and arpeggios.''Jazzology: The Encyclopedia of Jazz Theory for All Musicians'', by Robert Rawlins, Nor Eddine Bahha, Barrett Tagliarino. Hal Leonard Corporation, 2005 , . Page 141


Styles

Jazz piano (the technique) and the instrument itself offer soloists an exhaustive number of choices. One may play the bass register in an ostinato pattern, popular in
boogie-woogie Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from pi ...
style, where the left hand repeats a phrase numerous times throughout a song, as performed by Rob Agerbeek in "Boogie Woogie Stomp." The left hand can also be played as a melodic counterline that emulates the walking of an
upright bass The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar ...
. In
stride piano Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson, Willie "the Lion" Smith, Fats Waller, Luckey Roberts, Mrs Mills and Mary Lou Williams. ...
, (similar to the earlier
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott J ...
) the left hand rapidly plays alternate positions between notes in the bass register and chords in the tenor register, while the right hand plays melody and improvises, as performed in George Gershwin's "Liza". The right hand may play melodic lines, or harmonic content, chordally or in octaves. It may also be played in lockstep with the left hand, using a double melody
block chord A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in " locked-hands" rhythmic unison with the melody, as opposed to broken chords. This latter style, ...
called "locked-hand" voicing, or
Shearing voicing A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in " locked-hands" rhythmic unison with the melody, as opposed to broken chords. This latter style, ...
—a technique popularized, though not invented, by the pianist and set leader
George Shearing Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 ...
.


Ensemble role

Jazz piano has played a leading role in developing the sound of jazz. Early on, black jazz musicians created
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott J ...
on the piano. As the genre progressed the piano was usually featured in the rhythm section of a band, which was typically configured as one or more of piano, guitar, bass, or drums, or other instruments, such as the vibraphone. Over time, playing piano-accompaniment in ensemble sets, and then bands, changed from primarily time-keeping (consisting of repetitive left-hand figures) to a more flexible role. Ultimately, the skilled pianist was free both to lead and to answer the instrumental soloist, using both short and sustained, chordal and melodic, fragments—a technique known as '' comping''. Good comping musicians were capable of many and different chord voicings, so to match the various moods the different soloists were aiming for. In the early days not all leading pianists were concerned to provide comping. Others—notably Duke Ellington, who became famous during the Harlem Renaissance at the
Cotton Club The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940).Elizabeth Winter"Cotton Club of Harlem (1923- )" Blac ...
—earned great esteem among band members as well as other musicians. Ellington comped enthusiastically in support of the soloist and did much to develop the technique. Jazz piano moved away from playing lead melody to providing foundation for song sets; soon, skilled jazz pianists were performing as soloists. In the 1940s and 1950s, a number of great piano players emerged. Pianists like
Thelonious Monk Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", ...
and Bud Powell helped create and establish the sound of
bebop Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumen ...
. Bill Evans built upon the style of Bud Powell while adding a distinct classical influence to his playing while
Oscar Peterson Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards ...
pushed rhythmic variations and was influenced by the style of
Art Tatum Arthur Tatum Jr. (, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest in his field. From early in his career, Tatum's technical ability was regarded by fellow musicians as extraord ...
,
Teddy Wilson Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as "the definitive swing pianist", Wilson had a sophisticated, elegant style. His work was featured on the records of many ...
and
Nat King Cole Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. Cole's music career began after he dropped out of school at the age of 15, and continued f ...
.
Wynton Kelly Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of ...
,
Red Garland William McKinley "Red" Garland Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz ...
, Herbie Hancock, and Keith Jarrett were also exceptional pianists who played with
Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musi ...
.
Tommy Flanagan Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. ...
was featured by
John Coltrane John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raise ...
on his hit album ''
Giant Steps ''Giant Steps'' is the fifth studio album by jazz musician John Coltrane as leader. It was released in February 1960 on Atlantic Records. This was his first album as leader for Atlantic Records, with which he had signed a new contract the previou ...
''.
McCoy Tyner Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Master and five-time Gram ...
is also an influential player who played with Coltrane.


See also

*
List of jazz pianists This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the i ...
*
Swing (jazz performance style) In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sens ...
, a term of praise for playing that has a strong rhythmic "groove" or drive


Sources

*
Mark Levine Mark Andrew LeVine is an American historian, musician, writer, and professor. He is a professor of history at the University of California, Irvine. Education LeVine received his B.A. in comparative religion and biblical studies from Hunter ...
: ''The Jazz Piano Book''. A "how to" book on the subject. * Randy Halberstadt: ''Metaphors For The Musician''. Insights into almost every aspect of jazz piano. * Luke Gillespie: ''Stylistic II/V7/I Voicings For Keyboardists''. Covers all styles of comping, from basic and fundamental approaches to modern. *
Hal Galper Harold Galper (born April 18, 1938) is an American jazz pianist, composer, arranger, bandleader, educator, and writer. Biography He was born in Salem, Massachusetts, United States. Galper studied classical piano as a boy, but switched to jazz wh ...
: ''Forward Motion''. An approach to jazz phrasing. * Riccardo Scivales: ''Jazz Piano: The Left Hand'' (Bedford Hills, New York: Ekay Music, 2005). A method covering all the left-hand techniques used in jazz piano (and also a study of the history of the left hand in jazz piano), with hundreds of musical examples. *
David Berkman David Berkman (born December 28, 1958) is an American jazz pianist, composer, arranger and educator. Background Berkman grew up in Cleveland, Ohio, playing in house bands for visiting jazz musicians Sonny Stitt, Hank Crawford, and Carter Jeffe ...
: ''The Jazz Musician's Guide to Creative Practicing''. Covers the problems of jazz improvisational practice with a focus on the piano, but for all instruments. (Also, it is entertaining and humorous.) *"Duke Ellington Biography." Duke Ellington Biography. N.p., n.d. Web. 13 November 2014. *Dupuis, Robert. "Contemporary Musicians: Art Tatum." Encyclopedia. N.p., 1997. Web. 15 November 2014


References


External links


Piano Jazz
Marian McPartland Margaret Marian McPartland OBE ( Turner;Hasson, Claire"Marian McPartland: Jazz Pianist: An Overview of a Career" PhD Thesis. Retrieved 12 August 2008. 20 March 1918 – 20 August 2013), was an English–American jazz pianist, composer, and wri ...
's program on
National Public Radio National Public Radio (NPR, stylized in all lowercase) is an American privately and state funded nonprofit media organization headquartered in Washington, D.C., with its NPR West headquarters in Culver City, California. It differs from other n ...

BBC Scotland's History of Jazz Piano
– Dr Richard Michael's History of the Jazz Piano * Nairn, Charlie, (1975): ''Earl "Fatha" Hines''

documentary {{jazzfooter Jazz instruments Piano Accompaniment Occupations in music